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005 | 20190528175143.0 |
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008 | 910228s1991 nyuab b 001 0 eng |
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010 | | . |
‡a 91012301 |
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‡a(OCoLC)23287465 |
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‡aDLC
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‡a9780801425738
‡q(cloth ;
‡qalk. paper) |
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020 | | . |
‡a0801481988 |
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020 | | . |
‡a9780801481987 |
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035 | | . |
‡a(OCoLC)23287465
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‡aLI 33910
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100 | 1 | . |
‡aEdgerton, Samuel Y. |
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245 | 1 | 4. |
‡aThe heritage of Giotto's geometry :
‡bart and science on the eve of the scientific revolution /
‡cSamuel Y. Edgerton, Jr. |
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260 | | . |
‡aIthaca :
‡bCornell University Press,
‡c1991. |
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300 | | . |
‡ax, 319 pages :
‡billustrations, maps ;
‡c29 cm |
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336 | | . |
‡atext
‡btxt
‡2rdacontent |
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337 | | . |
‡aunmediated
‡bn
‡2rdamedia |
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338 | | . |
‡avolume
‡bnc
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504 | | . |
‡aIncludes bibliographical references (pages 291-313) and index. |
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586 | | . |
‡aAmerican Historical Association Helen & Howard R. Marraro Prize for Italian or Italian-U.S. history, 1992. |
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520 | | . |
‡aThis ambitious book explores the relationship between the Western "scientific revolution" that began with Galileo in the early seventeenth century and the Renaissance "artistic revolution" inaugurated by Giotto three hundred years earlier. The fruit of many years of thought and research, it demonstrates the crucial role that Italian Renaissance painting, sculpture, and architecture played in what we call "modern science." Samuel Y. Edgerton, Jr., shows that rather than being symptomatic in nature, the arts served as a catalyst for the transformation in perception which occurred in the West in the fourteenth century. According to Edgerton, the new way in which "reality" was represented, through the use of the unique Renaissance tools of perspective and chiaroscuro, set the stage for modern scientific practice. |
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600 | 0 | 0. |
‡aGiotto,
‡d1266?-1337
‡xThemes, motives. |
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600 | 0 | 7. |
‡aGiotto,
‡d1266?-1337.
‡2fast
‡0(OCoLC)fst00074999 |
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650 | | 0. |
‡aPerspective. |
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650 | | 0. |
‡aVisual perception. |
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650 | | 0. |
‡aSpace (Art) |
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650 | | 0. |
‡aArt, Medieval. |
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650 | | 0. |
‡aArt, Renaissance. |
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650 | | 7. |
‡aArt, Medieval.
‡2fast
‡0(OCoLC)fst00816576 |
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650 | | 7. |
‡aArt, Renaissance.
‡2fast
‡0(OCoLC)fst00816786 |
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650 | | 7. |
‡aPerspective.
‡2fast
‡0(OCoLC)fst01058877 |
---|
650 | | 7. |
‡aSpace (Art)
‡2fast
‡0(OCoLC)fst01127615 |
---|
650 | | 7. |
‡aThemes, motives.
‡2fast
‡0(OCoLC)fst01355139 |
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650 | | 7. |
‡aVisual perception.
‡2fast
‡0(OCoLC)fst01168049 |
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776 | 0 | 8. |
‡iOnline version:
‡aEdgerton, Samuel Y.
‡tHeritage of Giotto's geometry.
‡dIthaca ; London : Cornell University Press, 1991 (1993[printing])
‡w(OCoLC)894796673 |
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938 | | . |
‡aBaker & Taylor
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938 | | . |
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938 | | . |
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938 | | . |
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