| Formatted Contents Note: |
Common themes in American Indian philosophy -- First introductions -- Four common themes : a first look -- Constructing an actual American Indian world -- Nelson Goodman's constructivism -- Setting the stage -- Fact, fiction, and feeders -- Ontological pluralism -- True versions and well-made worlds -- Nonlinguistic versions and the advancement of understanding -- True versions and cultural bias -- Constructive realism : variations on a theme by Goodman -- True versions and cultural bias -- An American Indian well-made actual world -- Relatedness, native knowledge, and ultimate acceptability -- Native knowledge and relatedness as a world-ordering principle -- Native knowledge and truth -- Native knowledge and verification -- Native knowledge and ultimate acceptability -- An expansive conception of persons -- A western conception of persons -- Native conceptions of animate beings and persons -- An American Indian expansive conception of persons -- The semantic potency of performance -- Opening reflections and reminders about performances -- Symbols and their performance -- The Shawnee naming ceremony -- Gifting as a world-constructing performance -- Closing remarks about the semantic potency of performances -- Circularity as a world-ordering principle -- Goodman briefly revisited -- Time, events, and history or space, place, and nature? -- Circularity as a world-ordering principle -- Circularity and sacred places -- Closing remarks about circularity as a world-ordering principle -- The dance of person and place -- American Indian philosophy as a dance of person and place -- Consequences, speculations, and closing reflections. |
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