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001 | 35245 |
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003 | NWIC |
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005 | 20190516170259.0 |
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008 | 920702s1993 azuaf b s001 0 eng |
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010 | | . |
‡a 92025853 |
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035 | | . |
‡a(OCoLC)26254996 |
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040 | | . |
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016 | 7 | . |
‡a009788288
‡2Uk |
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‡a123238911
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035 | | . |
‡a(OCoLC)26254996
‡z(OCoLC)123238911
‡z(OCoLC)1055433147 |
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043 | | . |
‡an------
‡as------ |
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050 | 0 | 0. |
‡aN6501
‡b.I42 1993 |
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082 | 0 | 0. |
‡a700/.89/97
‡220 |
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084 | | . |
‡a73.62
‡2bcl |
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245 | 0 | 0. |
‡aImagery & creativity :
‡bethnoaesthetics and art worlds in the Americas /
‡cedited by Dorothea S. Whitten and Norman E. Whitten, Jr. |
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260 | | . |
‡aTucson :
‡bUniversity of Arizona Press,
‡c©1993. |
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300 | | . |
‡a377 pages, 16 unnumbered pages of plates :
‡billustrations (some color) ;
‡c25 cm |
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336 | | . |
‡atext
‡btxt
‡2rdacontent |
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337 | | . |
‡aunmediated
‡bn
‡2rdamedia |
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338 | | . |
‡avolume
‡bnc
‡2rdacarrier |
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504 | | . |
‡aIncludes bibliographical references and index. |
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505 | 0 | . |
‡aProvenances and pedigrees : the Western appropriation of non-Western art / Sally Price -- Power, pathways, and appropriations in Mesoamerican art / Susan D. Gillespie -- The modern gallery exhibition as a form of Western-indigenous discourse / J. Edson Way -- Style and state in ancient Peru / Helaine Silverman -- Ethnic arts of the fourth world : the view from Canada / Nelson H.H. Graburn -- Shaping selves, reshaping lives : the art and experience of Helen Cordero / Barbara A. Babcock -- Collective fictions : performance in Saramaka folktales / Richard Price and Sally Price -- Peter Minshall : the good, the bad, and the old in Trinidad carnival / John Nunley -- Creativity and continuity : communication and clay / Dorothea S. Whitten and Norman E. Whitten, Jr. |
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520 | 1 | . |
‡a"From pottery to story to carnivals, various forms of artistic expression from the Americas can be shown to reflect universal human imagery and creativity. In this collection, contributors from a variety of disciplines utilize an ethnoaesthetic perspective to place art forms within their cultural and social milieus, and address the problem of understanding culturally patterned creative expressions caught up in organized art worlds."--BOOK JACKET. "The book presents an array of contemporary and ancient arts of North, Central, and South America and the Caribbean, ranging from the cultural heritage of the Central Andes and Mesoamerica to contemporary peoples who share a legacy of colonial domination - such as Native American artists of Canada and the American Southwest, the Saramaka Maroons of Suriname, Trinidadian Carnival designers, and the Canelos Quichua of Amazonian Ecuador. Approaches used by the authors include a general survey of the arts of a region, an intensive study of the aesthetic genres and styles of a culture, an examination of the historical and ethnohistorical features of artistic and cultural hegemony, and a reconstruction of life histories in cultural context."--BOOK JACKET. "Throughout the book, the authors seek to combine respect for the local-level creation and production of art, narrative, and performance with an understanding of macro-level institutional manifestations of art-world domination and hegemony. Together, they show that these diverse art forms reflect universal human imagery and creativity that persist through time and communicate across cultural barriers."--Jacket. |
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650 | | 0. |
‡aEthnic art
‡zAmerica. |
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650 | | 0. |
‡aEthnic art
‡zSouth America. |
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650 | | 7. |
‡aEthnic art.
‡2fast
‡0(OCoLC)fst00915921 |
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651 | | 7. |
‡aAmerica.
‡2fast
‡0(OCoLC)fst01239786 |
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651 | | 7. |
‡aSouth America.
‡2fast
‡0(OCoLC)fst01244515 |
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700 | 1 | . |
‡aWhitten, Dorothea S.,
‡d1930-2011. |
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700 | 1 | . |
‡aWhitten, Norman E.,
‡cJr.
‡q(Norman Earl),
‡d1937- |
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740 | 0 | . |
‡aImagery and creativity. |
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776 | 0 | 8. |
‡iOnline version:
‡tImagery & creativity.
‡dTucson : University of Arizona Press, ©1993
‡w(OCoLC)620034321 |
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938 | | . |
‡aBrodart
‡bBROD
‡n46354751
‡c$49.95 |
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938 | | . |
‡aBaker and Taylor
‡bBTCP
‡n92025853 |
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938 | | . |
‡aYBP Library Services
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‡n746783 |
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‡hNO HOLDINGS IN WANIC - 429 OTHER HOLDINGS |
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‡bOCoLC
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