The AAM guide to provenance research / Nancy H. Yeide, Konstantin Akinsha, Amy L. Walsh.
"The AAM Guide to Provenance Research is a much-needed contribution for scholars, professional researchers, and those who shape policy. Here in one volume is a historical overview, description of current methodology, invaluable indices, inventories, and lists of current databases-in-progress." -- Back cover.
Record details
- ISBN: 093120173X
- ISBN: 9780931201738
- Physical Description: vii, 304 pages, 8 unnumbered pages of plates : illustrations (some color) ; 28 cm
- Publisher: Washington, DC : American Association of Museums, [2001]
- Copyright: ©2001
Content descriptions
- Bibliography, etc. Note:
- Includes bibliographical references and index.
- Formatted Contents Note:
- Why is provenance important? 1 -- Major trends in collecting European art 1 -- Conducting provenance research 5 -- Part 1 Basic Provenance Research and Principles 7 -- What information do you need? 9 -- Chapter 2 Assembling the Information You Have 11 -- The object 11 -- Institutional files 15 -- Case study: Portrait of James Hay 17 -- Chapter 3 Library Research 21 -- The Artist 21 -- The Collector 24 -- Dealers 28 -- Auctions 28 -- Case study: Holbein, Sir Bryan Tuke 30 -- Chapter 4 How to Record Provenance 33 -- Part 2 Holocaust-Era Provenance Research 37 -- Chapter 6 Historical Overview 41 -- Key dates 41 -- Nazi collecting priorities 41 -- Case study: De Bles, Landscape with Burning City 44 -- Special case: The office of the alien property custodian and the "vesting" of cultural property 46 -- Chapter 7 Prioritizing Your Research 49 -- Mind the gap 49 -- Red flags 50 -- Case study: "Red-flag" names 52 -- Chapter 8 U.S. Resources 55 -- National Archives and Records Administration (NARA) 55 -- Looting 58 -- Case study: Snyders, Still Life with Fruit and Game 68 -- Investigations 71 -- Case study: Two Matisse paintings from the Paul Rosenberg collection 74 -- Claims 78 -- Restitution 94 -- Other U.S. Resources 103 -- Case study: Degas, Landscape with Smokestacks 105 -- Chapter 9 European Resources 109 -- Archives, restitution agencies, and published losses 109 -- Special case: Sales from Soviet museums, 1928-31 134 -- Case study: Cranach, Adam and Eve 135 -- Appendices to Part 1 159.
Search for related items by subject
- Subject:
- World War (1939-1945)
Art > Provenance > Research > Handbooks, manuals, etc.
Art thefts > History > 20th century > Research > Germany > Handbooks, manuals, etc.
Art > Collectors and collecting > Germany > History > 20th century.
World War, 1939-1945 > Art and the war.
Art > Collectors and collecting.
Germany. - Genre:
- Art.
Handbooks and manuals.
History.
Available copies
- 1 of 1 copy available at Northwest Indian College.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
---|---|---|---|---|---|
Lummi Library | N 3999 .Y45 2001 | 283375 | Stacks | Available | - |
Electronic resources
Related Resource: http://hdl.library.upenn.edu/1017.12/366306
- The Sabin W. Colton, Jr., Memorial Fund Home Page
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100 | 1 | . | ‡aYeide, Nancy H., ‡d1959- ‡eauthor. |
245 | 1 | 4. | ‡aThe AAM guide to provenance research / ‡cNancy H. Yeide, Konstantin Akinsha, Amy L. Walsh. |
246 | 3 | . | ‡aAmerican Association of Museums guide to provenance research |
246 | 3 | 0. | ‡aProvenance research |
264 | 1. | ‡aWashington, DC : ‡bAmerican Association of Museums, ‡c[2001] | |
264 | 4. | ‡c©2001 | |
300 | . | ‡avii, 304 pages, 8 unnumbered pages of plates : ‡billustrations (some color) ; ‡c28 cm | |
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504 | . | ‡aIncludes bibliographical references and index. | |
505 | 0 | 0. | ‡tWhy is provenance important? ‡g1 -- ‡tMajor trends in collecting European art ‡g1 -- ‡tConducting provenance research ‡g5 -- ‡gPart 1 ‡tBasic Provenance Research and Principles ‡g7 -- ‡tWhat information do you need? ‡g9 -- ‡gChapter 2 ‡tAssembling the Information You Have ‡g11 -- ‡tThe object ‡g11 -- ‡tInstitutional files ‡g15 -- ‡tCase study: Portrait of James Hay ‡g17 -- ‡gChapter 3 ‡tLibrary Research ‡g21 -- ‡tThe Artist ‡g21 -- ‡tThe Collector ‡g24 -- ‡tDealers ‡g28 -- ‡tAuctions ‡g28 -- ‡tCase study: Holbein, Sir Bryan Tuke ‡g30 -- ‡gChapter 4 ‡tHow to Record Provenance ‡g33 -- ‡gPart 2 ‡tHolocaust-Era Provenance Research ‡g37 -- ‡gChapter 6 ‡tHistorical Overview ‡g41 -- ‡tKey dates ‡g41 -- ‡tNazi collecting priorities ‡g41 -- ‡tCase study: De Bles, Landscape with Burning City ‡g44 -- ‡tSpecial case: The office of the alien property custodian and the "vesting" of cultural property ‡g46 -- ‡gChapter 7 ‡tPrioritizing Your Research ‡g49 -- ‡tMind the gap ‡g49 -- ‡tRed flags ‡g50 -- ‡tCase study: "Red-flag" names ‡g52 -- ‡gChapter 8 ‡tU.S. Resources ‡g55 -- ‡tNational Archives and Records Administration (NARA) ‡g55 -- ‡tLooting ‡g58 -- ‡tCase study: Snyders, Still Life with Fruit and Game ‡g68 -- ‡tInvestigations ‡g71 -- ‡tCase study: Two Matisse paintings from the Paul Rosenberg collection ‡g74 -- ‡tClaims ‡g78 -- ‡tRestitution ‡g94 -- ‡tOther U.S. Resources ‡g103 -- ‡tCase study: Degas, Landscape with Smokestacks ‡g105 -- ‡gChapter 9 ‡tEuropean Resources ‡g109 -- ‡tArchives, restitution agencies, and published losses ‡g109 -- ‡tSpecial case: Sales from Soviet museums, 1928-31 ‡g134 -- ‡tCase study: Cranach, Adam and Eve ‡g135 -- ‡tAppendices to Part 1 ‡g159. |
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