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The lost museum : the Nazi conspiracy to steal the world's greatest works of art  Cover Image Book Book

The lost museum : the Nazi conspiracy to steal the world's greatest works of art

Feliciano, Hector. (Author).

Summary: Between 1939 and 1944, as the Nazis overran Europe, they were also quietly conducting another type of pillage. The Lost Museum tells the story of the Jewish art collectors and gallery owners in France who were stripped of rare works by artists such as Vermeer, Rembrandt, Degas, Cezanne, and Picasso. Week after week, thousands of crates of this art streamed from Paris into Germany, many stamped with a swastika and the words "Property of the Third Reich." Before they were through, the Nazis had taken more than 20,000 paintings, sculptures, and drawings from France. The pieces were cataloged, photographed, and shipped to Germany, often with the help of moving companies and friends and servants of the families themselves. The premium cultural spoils of war were destined for the museum of European art that Hitler planned to create in Austria, as well as for the private collections of Hitler, Goering, and other Nazi dignitaries. Looted Entartete Kunst - modern artworks - were sold into France and Switzerland's flourishing wartime art market.

Record details

  • ISBN: 0465041949
  • ISBN: 9780465041947
  • ISBN: 0465041914
  • ISBN: 9780465041916
  • Physical Description: print
    ix, 278 pages : illustrations ; 25 cm
  • Edition: 1st ed.
  • Publisher: New York : BasicBooks, ©1997.

Content descriptions

Bibliography, etc. Note: Includes bibliographical references (pages 257-265) and index.
Formatted Contents Note: pt. 1. A certain love of art. Vermeer's Astronomer, or, Hitler's blind spot -- The Kümmel Report, or, The Nazis' reply to Napoleon -- Hermann Goering, "friend of the arts" -- pt. 2. Anatomy of a pillage. The exemplary looting of the Rothschild Collections -- The Paul Rosenberg Gallery : modern and "degenerate" art for sale -- The Bernheim-Jeune Collection, or, The burning of The Jas de Bouffan -- David David-Weill, or, The patron stripped bare -- The Schloss Collection, or, Dutch painters for Hitler -- pt. 3. Art for sale. Visitors to the Jeu de Paume -- Business as usual : the Paris art market during the war -- Switzerland : the importance of being neutral -- pt. 4. Revenants. The found and the lost -- A short Swiss epilogue : purchased skeletons in the Kunstkammern -- Something new on the eastern front -- The purgatory of the MNRs -- Appendix A. The Schenker papers -- Appendix B. An interview with Alain Vernay.
Subject: World War (1939-1945)
Art thefts France History 20th century
Germany Cultural policy
World War, 1939-1945 Art and the war
Pillage France
Art thefts
Cultural policy
Pillage
France
Germany
Genre: Art.
History.
Art.

Available copies

  • 1 of 1 copy available at Northwest Indian College.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Lummi Library N 8795.3 .F8 F45 1997 283423 Stacks Available -

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