Book
An introduction to twentieth century music [by] Peter S. Hansen.
Record details
- Physical Description: x, 420 pages music, portraits 23 cm
- Edition: 2d ed.
- Publisher: Boston, Allyn and Bacon, 1967.
Content descriptions
- Bibliography, etc. Note:
- "Selected readings" at end of each chapter.Includes bibliographical references.
- Formatted Contents Note:
- I. 1900-1914 : 1. Nineteenth century background ; The position of Beethoven ; Importance of Wagnerian music drama ; Other trends ; Style characteristics ; Romantic composer in society ; The relation of the nineteenth century to the twentieth -- 2. Paris ; Fin de Siècle -- symbolism and impressionism ; Debussy: musical background ; His compositions ; Style characteristics -- 3. Paris: other composers ; Ravel: his compositions ; Style characteristics ; Diaghilev and the young Stravinsky -- 4. Germany and Austria ; Expressionism ; Vienna and expressionism ; Schoenberg: his prewar compositions ; Other composers ; Style characteristics -- 5. Music in America ; Ives: his compositions ; Style characteristics ; Ragtime and jazz ; Jazz elements in "serious" music -- 6. Experiments in music ; Noise music ; Microtonal music ; Later developments.II. 1914-1945 : 7. Paris after world war I ; Cocteau ; Satie ; Les six: some typical compositions -- 8. Les trois ; Milhaud: his compositions; Style characteristics ; Honegger: his compositions ; Style characteristics ; Poulenc: his compositions -- 9. Stravinsky ; His position ; The problem of style changes ; Relation to Picasso ; His compositions ; Style characteristics -- 10. Schoenberg ; Twelve-tone music ; How the row is used ; Schoenberg's compositions ; Style characteristics -- 11. Berg and Webern ; Berg: his compositions ; Style characteristics ; Webern: his compositions -- 12. Bartok ; His compositions ; Piano music ; Style characteristics -- 13. Hindemith ; His compositions ; Style characteristics -- 14. Soviet Russia ; Prokofiev: his compositions ; Style characteristics ; Shostakovich: his compositions ; Style characteristics -- 15. England ; Vaughan Williams: his compositions ; Britten: his compositions -- 16. Music in America ; Copland: his compositions ; Harris: his compositions ; Piston: his compositions; Sessions: his compositions ; Hanson: his compositions ; Thomson: his compositions -- 17. Edgard Varese.III. 1945-1970 : 18. Settlers and explorers ; Disappearance of national schools ; Influence of phonograph records ; Acquaintance with twentieth-century music ; The "schools" of music, 1945-1970 ; Conservative composers ; Serial composers ; Toward tonal control ; Aleatoric music ; Electronic music -- 19. Some composers of the fifties and sixties ; John Cage ; Karlheinz Stockhausen ; Pierre Boulez ; Luciano Berio ; Yannis Xenakis ; Witold Lutoslawski and Krzysztof Penderecki ; Elliott Carter and Milton Babbitt ; Alberto Ginastera ; Hans Werner Henze ; Where to now?
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Available copies
- 1 of 1 copy available at Northwest Indian College.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
|---|---|---|---|---|---|
| Lummi Library | ML 197 .H36 1967 | 247203 | Stacks | Available | - |
| LDR | 04500cam a22005291 4500 | ||
|---|---|---|---|
| 001 | 22082 | ||
| 003 | NWIC | ||
| 005 | 20190508214113.0 | ||
| 008 | 740410s1967 maucg b 000 0 eng | ||
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| 035 | . | ‡a(OCoLC)861990 | |
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| 050 | 0 | 0. | ‡aML197 ‡b.H25 1967 |
| 055 | 0. | ‡aML197 ‡b.H25 1967 | |
| 082 | 0 | 0. | ‡a780.904 |
| 100 | 1 | . | ‡aHansen, Peter S. |
| 245 | 1 | 3. | ‡aAn introduction to twentieth century music ‡c[by] Peter S. Hansen. |
| 250 | . | ‡a2d ed. | |
| 260 | . | ‡aBoston, ‡bAllyn and Bacon, ‡c1967. | |
| 300 | . | ‡ax, 420 pages ‡bmusic, portraits ‡c23 cm | |
| 336 | . | ‡atext ‡btxt ‡2rdacontent | |
| 337 | . | ‡aunmediated ‡bn ‡2rdamedia | |
| 338 | . | ‡avolume ‡bnc ‡2rdacarrier | |
| 504 | . | ‡a"Selected readings" at end of each chapter. | |
| 504 | . | ‡aIncludes bibliographical references. | |
| 505 | 0 | . | ‡aI. 1900-1914 : 1. Nineteenth century background ; The position of Beethoven ; Importance of Wagnerian music drama ; Other trends ; Style characteristics ; Romantic composer in society ; The relation of the nineteenth century to the twentieth -- 2. Paris ; Fin de Siècle -- symbolism and impressionism ; Debussy: musical background ; His compositions ; Style characteristics -- 3. Paris: other composers ; Ravel: his compositions ; Style characteristics ; Diaghilev and the young Stravinsky -- 4. Germany and Austria ; Expressionism ; Vienna and expressionism ; Schoenberg: his prewar compositions ; Other composers ; Style characteristics -- 5. Music in America ; Ives: his compositions ; Style characteristics ; Ragtime and jazz ; Jazz elements in "serious" music -- 6. Experiments in music ; Noise music ; Microtonal music ; Later developments. |
| 505 | 0 | . | ‡aII. 1914-1945 : 7. Paris after world war I ; Cocteau ; Satie ; Les six: some typical compositions -- 8. Les trois ; Milhaud: his compositions; Style characteristics ; Honegger: his compositions ; Style characteristics ; Poulenc: his compositions -- 9. Stravinsky ; His position ; The problem of style changes ; Relation to Picasso ; His compositions ; Style characteristics -- 10. Schoenberg ; Twelve-tone music ; How the row is used ; Schoenberg's compositions ; Style characteristics -- 11. Berg and Webern ; Berg: his compositions ; Style characteristics ; Webern: his compositions -- 12. Bartok ; His compositions ; Piano music ; Style characteristics -- 13. Hindemith ; His compositions ; Style characteristics -- 14. Soviet Russia ; Prokofiev: his compositions ; Style characteristics ; Shostakovich: his compositions ; Style characteristics -- 15. England ; Vaughan Williams: his compositions ; Britten: his compositions -- 16. Music in America ; Copland: his compositions ; Harris: his compositions ; Piston: his compositions; Sessions: his compositions ; Hanson: his compositions ; Thomson: his compositions -- 17. Edgard Varese. |
| 505 | 0 | . | ‡aIII. 1945-1970 : 18. Settlers and explorers ; Disappearance of national schools ; Influence of phonograph records ; Acquaintance with twentieth-century music ; The "schools" of music, 1945-1970 ; Conservative composers ; Serial composers ; Toward tonal control ; Aleatoric music ; Electronic music -- 19. Some composers of the fifties and sixties ; John Cage ; Karlheinz Stockhausen ; Pierre Boulez ; Luciano Berio ; Yannis Xenakis ; Witold Lutoslawski and Krzysztof Penderecki ; Elliott Carter and Milton Babbitt ; Alberto Ginastera ; Hans Werner Henze ; Where to now? |
| 650 | 0. | ‡aMusic ‡y20th century ‡xHistory and criticism. | |
| 650 | 0. | ‡aMusic appreciation. | |
| 650 | 7. | ‡aMusic appreciation. ‡2fast ‡0(OCoLC)fst01030494 | |
| 650 | 7. | ‡aMusic ‡2fast ‡0(OCoLC)fst01030269 | |
| 648 | 7. | ‡a1900-1999 ‡2fast | |
| 655 | 7. | ‡aCriticism, interpretation, etc. ‡2fast ‡0(OCoLC)fst01411635 | |
| 776 | 0 | 8. | ‡iOnline version: ‡aHansen, Peter S. ‡tIntroduction to twentieth century music. ‡b2d ed. ‡dBoston, Allyn and Bacon, 1967 ‡w(OCoLC)634918958 |
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