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001 | 22232 |
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003 | NWIC |
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005 | 20190701154901.0 |
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008 | 970613r19971960njuaf b 001 0 eng |
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010 | | . |
‡a 97023804 |
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035 | | . |
‡a(OCoLC)37157539 |
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040 | | . |
‡aDLC
‡beng
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015 | | . |
‡aGB9829721
‡2bnb |
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016 | 7 | . |
‡aBA34141856
‡2JP-ToKJK |
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019 | | . |
‡a39002195
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‡a749872911 |
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020 | | . |
‡a0691037043
‡q(pbk. ;
‡qalk. paper) |
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020 | | . |
‡a9780691037042
‡q(pbk. ;
‡qalk. paper) |
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035 | | . |
‡a(OCoLC)37157539
‡z(OCoLC)39002195
‡z(OCoLC)219911183
‡z(OCoLC)749872911 |
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050 | 0 | 0. |
‡aPN1994
‡b.K7 1997 |
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082 | 0 | 0. |
‡a791.43
‡221 |
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084 | | . |
‡a24.31
‡2bcl |
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084 | | . |
‡aAP 45100
‡2rvk |
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100 | 1 | . |
‡aKracauer, Siegfried,
‡d1889-1966. |
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245 | 1 | 0. |
‡aTheory of film :
‡bthe redemption of physical reality /
‡cSiegfried Kracauer ; with an introduction by Miriam Bratu Hansen. |
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260 | | . |
‡aPrinceton, N.J. :
‡bPrinceton University Press,
‡c©1997. |
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300 | | . |
‡alix, 364 pages, 61 pages of plates :
‡billustrations ;
‡c21 cm. |
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336 | | . |
‡atext
‡btxt
‡2rdacontent |
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337 | | . |
‡aunmediated
‡bn
‡2rdamedia |
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338 | | . |
‡avolume
‡bnc
‡2rdacarrier |
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490 | 1 | . |
‡aPrinceton paperbacks |
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500 | | . |
‡aOriginally published: London ; New York : Oxford University Press, 1960. |
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504 | | . |
‡aIncludes bibliographical references (pages 339-349) and index. |
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505 | 0 | 0. |
‡tIntroduction /
‡rMiriam Bratu Hansen --
‡g1.
‡tPhotography --
‡g2.
‡tBasic Concepts --
‡g3.
‡tThe Establishment of Physical Existence --
‡g4.
‡tInherent Affinities --
‡g5.
‡tHistory and Fantasy --
‡g6.
‡tRemarks on the Actor --
‡g7.
‡tDialogue and Sound --
‡g8.
‡tMusic --
‡g9.
‡tThe Spectator --
‡g10.
‡tExperimental film --
‡g11.
‡tThe Film of Fact --
‡g12.
‡tThe Theatrical Story --
‡g13.
‡tInterlude: Film and Novel --
‡g14.
‡tThe Found Story and the Episode --
‡g15.
‡tMatters of Content --
‡g16.
‡tFilm in Our Time. |
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520 | | . |
‡aSiegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Béla Balázs, Rudolf Arnheim, and André Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory. |
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630 | 0 | 7. |
‡aBibel
‡pPhilemonbrief
‡2gnd |
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650 | | 0. |
‡aMotion pictures. |
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650 | | 7. |
‡aMotion pictures.
‡2fast
‡0(OCoLC)fst01027285 |
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655 | | 7. |
‡aMotion pictures.
‡2fast
‡0(OCoLC)fst01726252 |
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830 | | 0. |
‡aPrinceton paperbacks. |
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856 | 4 | 1. |
‡3Table of contents
‡uhttp://catdir.loc.gov/catdir/toc/prin031/97023804.html |
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856 | 4 | 2. |
‡3Publisher description
‡uhttp://catdir.loc.gov/catdir/description/prin021/97023804.html |
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856 | 4 | 2. |
‡3The Phi Beta Kappa Library Trust Fund Home Page
‡uhttp://hdl.library.upenn.edu/1017.12/366322 |
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938 | | . |
‡aBaker & Taylor
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‡c32.95
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938 | | . |
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938 | | . |
‡aBaker and Taylor
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938 | | . |
‡aYBP Library Services
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948 | | . |
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901 | | . |
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