Record Details



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Museum memories : history, technology, art / Didier Maleuvre.

Maleuvre, Didier. (Author).

Summary:

From its inception in the early nineteenth century, the museum has been more than a mere historical object; it has manufactured an image of history. The museum believes in history, yet it behaves as though history could be summarized and completed. This twofold process explains the paradoxical character of museums. They have been accused of being both too heavy with historical dust and too historically spotless, excessively historicizing artworks while cutting them off from the historical life in which artworks are born. Thus the museum seems contradictory because it lectures about the historical nature of its objects while denying the same objects the living historical connection about which it purports to educate.
The contradictory character of museums leads the author to a philosophical reflection on history, one that reconsiders the concept of culture and the historical value of art in light of the philosophers, artists, and writers who are captivated by the museum. Together, their voices prompt a reevaluation of the concepts of historical consciousness, artistic identity, and the culture of objects in the modern period.

Record details

  • ISBN: 0804732027 (alk. paper)
  • ISBN: 9780804732024 (alk. paper)
  • ISBN: 0804736049 (pbk. : alk. paper)
  • ISBN: 9780804736046 (pbk. : alk. paper)
  • Physical Description: xii, 325 pages : illustrations ; 23 cm.
  • Publisher: Stanford, Calif. : Stanford University Press, 1999.

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references (p. [299]-306) and index.
Formatted Contents Note:
1. Museum Times -- 2. Bringing the Museum Home: The Domestic Interior in the Nineteenth-Century -- 3. Balzacana.
Subject:
Museums > Historiography.
Historical museums > History.
Historiography.
History > Philosophy.
Culture > Historiography.

Available copies

  • 1 of 1 copy available at Northwest Indian College.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Lummi Library AM 7 .M355 1999 283303 Stacks Reshelving -

Electronic resources


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1001 . ‡aMaleuvre, Didier.
24510. ‡aMuseum memories : ‡bhistory, technology, art / ‡cDidier Maleuvre.
260 . ‡aStanford, Calif. : ‡bStanford University Press, ‡c1999.
300 . ‡axii, 325 pages : ‡billustrations ; ‡c23 cm.
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4901 . ‡aCultural memory in the present
504 . ‡aIncludes bibliographical references (p. [299]-306) and index.
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520 . ‡aFrom its inception in the early nineteenth century, the museum has been more than a mere historical object; it has manufactured an image of history. The museum believes in history, yet it behaves as though history could be summarized and completed. This twofold process explains the paradoxical character of museums. They have been accused of being both too heavy with historical dust and too historically spotless, excessively historicizing artworks while cutting them off from the historical life in which artworks are born. Thus the museum seems contradictory because it lectures about the historical nature of its objects while denying the same objects the living historical connection about which it purports to educate.
5208 . ‡aThe contradictory character of museums leads the author to a philosophical reflection on history, one that reconsiders the concept of culture and the historical value of art in light of the philosophers, artists, and writers who are captivated by the museum. Together, their voices prompt a reevaluation of the concepts of historical consciousness, artistic identity, and the culture of objects in the modern period.
650 0. ‡aMuseums ‡xHistoriography.
650 0. ‡aHistorical museums ‡xHistory.
650 0. ‡aHistoriography.
650 0. ‡aHistory ‡xPhilosophy.
650 0. ‡aCulture ‡xHistoriography.
830 0. ‡aCultural memory in the present.
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