Record Details



Enlarge cover image for Native Americans on network TV : stereotypes, myths, and the "good Indian" / Michael Ray FitzGerald. Book

Native Americans on network TV : stereotypes, myths, and the "good Indian" / Michael Ray FitzGerald.

Summary:

"In Native Americans on Network TV: Stereotypes, Myths, and the "Good Indian," Michael Ray FitzGerald argues that the colonial power of the U.S. is clearly evident in network television's portrayals of Native Americans. FitzGerald contends that these representations fit neatly into existing conceptions of colonial discourse and that their messages about the "Good Indian" have become part of viewers' understandings of Native Americans. In this study, FitzGerald offers close examinations of such series as The Lone Ranger, Daniel Boone, Broken Arrow, Hawk, Nakia, and Walker, Texas Ranger. By examining the traditional role of stereotypes and their functions in the rhetoric of colonialism, the volume ultimately offers a critical analysis of images of the "Good Indian"--Minority figures that enforce the dominant group's norms. A long overdue discussion of this issue, Native Americans on Network TV will be of interest to scholars of television and media studies, but also those of Native American studies, subaltern studies, and media history."--Publisher's description.

Record details

  • ISBN: 9781442229617
  • ISBN: 1442229616
  • Physical Description: xliv, 233 pages : illustrations ; 24 cm.
  • Publisher: Lanham, Maryland : Rowman & Littlefield, ©2014.

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references (pages 203-220) and index.
Formatted Contents Note:
Introduction: origins and applications of stereotypes -- From Pocahontas to "Superfink" -- Cold War avengers: the Lone Ranger and Tonto in The Lone Ranger (1949-1957) -- Hollywood-ized history: Cochise in Broken Arrow (1956-1958) -- Son of Tonto: Sam Buckhart in Law of the Plainsman (1959-1960) -- Mingo: Cochise of Kentucky in Daniel Boone (1964-1970) -- Regulator on the urban frontier: Hawk (1966) -- Billy Jack returns -- as a cop: Nakia (1974) -- The indianized white hero: Walker, Texas Ranger (1993-2001) -- Televisual quasi-history: retrospective justification for conquest.
Subject:
Indians on television.
Stereotypes (Social psychology) on television.
Indians on television.
Stereotypes (Social psychology) on television.

Available copies

  • 1 of 1 copy available at Northwest Indian College.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Lummi Library PN 1992.8 .I64 F58 2014 283962 Stacks Available -

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24510. ‡aNative Americans on network TV : ‡bstereotypes, myths, and the "good Indian" / ‡cMichael Ray FitzGerald.
264 1. ‡aLanham, Maryland : ‡bRowman & Littlefield, ‡c©2014.
300 . ‡axliv, 233 pages : ‡billustrations ; ‡c24 cm.
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4901 . ‡aFilm and history
504 . ‡aIncludes bibliographical references (pages 203-220) and index.
5050 . ‡aIntroduction: origins and applications of stereotypes -- From Pocahontas to "Superfink" -- Cold War avengers: the Lone Ranger and Tonto in The Lone Ranger (1949-1957) -- Hollywood-ized history: Cochise in Broken Arrow (1956-1958) -- Son of Tonto: Sam Buckhart in Law of the Plainsman (1959-1960) -- Mingo: Cochise of Kentucky in Daniel Boone (1964-1970) -- Regulator on the urban frontier: Hawk (1966) -- Billy Jack returns -- as a cop: Nakia (1974) -- The indianized white hero: Walker, Texas Ranger (1993-2001) -- Televisual quasi-history: retrospective justification for conquest.
520 . ‡a"In Native Americans on Network TV: Stereotypes, Myths, and the "Good Indian," Michael Ray FitzGerald argues that the colonial power of the U.S. is clearly evident in network television's portrayals of Native Americans. FitzGerald contends that these representations fit neatly into existing conceptions of colonial discourse and that their messages about the "Good Indian" have become part of viewers' understandings of Native Americans. In this study, FitzGerald offers close examinations of such series as The Lone Ranger, Daniel Boone, Broken Arrow, Hawk, Nakia, and Walker, Texas Ranger. By examining the traditional role of stereotypes and their functions in the rhetoric of colonialism, the volume ultimately offers a critical analysis of images of the "Good Indian"--Minority figures that enforce the dominant group's norms. A long overdue discussion of this issue, Native Americans on Network TV will be of interest to scholars of television and media studies, but also those of Native American studies, subaltern studies, and media history."--Publisher's description.
650 0. ‡aIndians on television.
650 0. ‡aStereotypes (Social psychology) on television.
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