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001 | 39036 |
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003 | NWIC |
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005 | 20180213000126.0 |
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008 | 131002t20142014nyua bc 001 0deng d |
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010 | | . |
‡a2014934445 |
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035 | | . |
‡a(OCoLC)ocn859305247 |
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040 | | . |
‡aYDXCP
‡beng
‡erda
‡cYDXCP
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‡dBDX
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019 | | . |
‡a879584483
‡a882592451
‡a894340550
‡a936047150 |
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020 | | . |
‡a0870709488 |
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020 | | . |
‡a9780870709159
‡q(hardcover) |
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020 | | . |
‡a0870709151
‡q(hardcover) |
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020 | | . |
‡a9780870709487
‡q(paperback) |
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020 | | . |
‡a0870709488
‡q(paperback) |
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035 | | . |
‡a(OCoLC)859305247
‡z(OCoLC)879584483
‡z(OCoLC)882592451
‡z(OCoLC)894340550
‡z(OCoLC)936047150 |
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043 | | . |
‡ae-fr--- |
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050 | 0 | 0. |
‡aN6853.M33
‡bA4 2014b |
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082 | 0 | 4. |
‡a709.2
‡223 |
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100 | 1 | . |
‡aMatisse, Henri,
‡d1869-1954,
‡eartist. |
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245 | 1 | 0. |
‡aHenri Matisse :
‡bthe cut-outs /
‡cedited by Karl Buchberg, Nicholas Cullinan, Jodi Hauptman, and Nicholas Serota ; with essays by Karl Buchberg, Nicholas Cullinan, Samantha Friedman, Flavia Frigeri, Markus Gross, Jodi Hauptman, Stephan Lohrengel, and Nicholas Serota. |
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246 | 3 | 0. |
‡aCut-outs |
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264 | | 1. |
‡aNew York :
‡bThe Museum Of Modern Art ;
‡aLondon :
‡bTate Publishing,
‡c[2014] |
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264 | | 2. |
‡aNew York, New York :
‡bDistributed in the United States and Canada by ARTBOOK/D.A.P. |
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264 | | 4. |
‡c©2014 |
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300 | | . |
‡a298 pages (some folded) :
‡billustrations (chiefly color) ;
‡c28 cm |
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336 | | . |
‡atext
‡btxt
‡2rdacontent |
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336 | | . |
‡astill image
‡bsti
‡2rdacontent |
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337 | | . |
‡aunmediated
‡bn
‡2rdamedia |
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338 | | . |
‡avolume
‡bnc
‡2rdacarrier |
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500 | | . |
‡aPublished in conjunction with the exhibition Henri Matisse: The Cut-Outs held at Tate Modern, London, April 17-September 7, 2014 and The Museum of Modern Art, New York, October 12, 2014-February 9, 2015. |
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504 | | . |
‡aIncludes bibliographical references (pages 279-283) and index. |
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505 | 0 | 0. |
‡gIntroduction : The
‡tstudio as site and subject /
‡rKarl Buchberg, Nicholas Cullinan, Jodi Hauptman, and Nicholas Serota ;
‡tInventing a new operation /
‡rJodi Hauptman ;
‡g'An
‡tagreeable distraction' /
‡rNicholas Cullinan --
‡tIn the studio: a photo essay --
‡tChronicle :
‡tAvant la lettre /
‡rSamantha Friedman ;
‡tGame and endgame /
‡rSamantha Friedman ;
‡tChapel factory /
‡rFlavia Frigeri ;
‡tBodies and waves /
‡rJodi Hauptman ;
‡tChromatic composition /
‡rNicholas Cullinan --
‡tMaterials and techniques /
‡rKarl Buchberg, Markus Gross, and Stephan Lohrengel. |
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520 | | . |
‡aReconsiders the cut-outs, including the materials and methods, the artist's environmental ambitions for them, tensions between art and decoration and between drawing and color. |
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600 | 1 | 0. |
‡aMatisse, Henri,
‡d1869-1954
‡vExhibitions. |
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650 | | 0. |
‡aDecoupage
‡zFrance
‡y20th century
‡vExhibitions. |
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650 | | 0. |
‡aPaper art
‡zFrance
‡y20th century
‡vExhibitions. |
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650 | | 0. |
‡aCollage
‡zFrance
‡y20th century
‡vExhibitions. |
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700 | 1 | . |
‡aBuchberg, Karl D.,
‡eeditor,
‡eauthor. |
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700 | 1 | . |
‡aCullinan, Nicholas,
‡eeditor,
‡eauthor. |
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700 | 1 | . |
‡aHauptman, Jodi,
‡eeditor,
‡eauthor. |
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700 | 1 | . |
‡aSerota, Nicholas,
‡eeditor,
‡eauthor. |
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700 | 1 | . |
‡aFriedman, Samantha,
‡eauthor. |
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700 | 1 | . |
‡aFrigeri, Flavia,
‡eauthor. |
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700 | 1 | . |
‡aGross, Markus,
‡eauthor. |
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700 | 1 | . |
‡aLohrengel, Stephan,
‡eauthor. |
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700 | 1 | . |
‡aMatisse, Henri,
‡d1869-1954.
‡tWorks.
‡kSelections. |
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710 | 2 | . |
‡aTate Modern (Gallery),
‡ehost institution. |
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710 | 2 | . |
‡aMuseum of Modern Art (New York, N.Y.),
‡ehost institution,
‡epublisher. |
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938 | | . |
‡aBrodart
‡bBROD
‡n108879445 |
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938 | | . |
‡aBaker and Taylor
‡bBTCP
‡nBK0013861369 |
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938 | | . |
‡aYBP Library Services
‡bYANK
‡n11201258 |
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029 | 1 | . |
‡aAU@
‡b000052980427 |
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029 | 1 | . |
‡aCHSLU
‡b001180822 |
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029 | 1 | . |
‡aCHVBK
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029 | 1 | . |
‡aNZ1
‡b15421062 |
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029 | 1 | . |
‡aUNITY
‡b133935299 |
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029 | 1 | . |
‡aGBVCP
‡b819656526 |
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994 | | . |
‡aZ0
‡bWANIC |
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948 | | . |
‡hNO HOLDINGS IN WANIC - 564 OTHER HOLDINGS |
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901 | | . |
‡aocn859305247
‡bOCoLC
‡c39036
‡tbiblio |
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